I'm thinking of ending things / Iain Reid.
Booklist Reviews 2016 May #1
*Starred Review* The narrator of the story is a nameless young woman who is in a newish relationship with Jake, but she has some doubts about where it's going and is thinking about ending things. Their relationship is based on a shared communication style, which moves to the physical, but it is their philosophical conversations that truly move the relationship along. Jake invites the narrator to go home to meet his parents and see the farm where he grew up in a remote village. The family dinner is odd, but the ride back home even more so, with detours to a Dairy Queen staffed by giggling girls and to a dark, deserted high school. This is a powerfully atmospheric book, and the cold, snowy night really ups the creepy factor, as the story grows more diabolical and dangerous with each turn of the page. The narrative is written in the first person, though it's interspersed with an occasional page from a parallel story from a different point of view, and eventually it appears that the two stories will converge. These characters are carefully developed and the plot takes some frightening turns, leading to a shocking ending. The construct of this book is brilliant and unusual and should appeal to fans of psychological thrillers, as well as to some horror fans. A dark and compelling debut novel, it is a most uncomfortable read but utterly unputdownable. Copyright 2014 Booklist Reviews.
LJ Reviews 2016 January #1
Reid, whose nonfiction includes The Truth About Luck (a Globe and Mail best book in 2013), tries out fiction. Jake is driving "The Girlfriend" (as she's called) to meet his parents at their isolated farm when he inexplicably takes a detour and abandons her. From daring upstart imprint Scout Press.[Page 65]. (c) Copyright 2016 Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
LJ Reviews 2016 May #2
It's snowing, and the unnamed narrator is traveling with her new boyfriend Jake to visit his parents at the family farm. The novel's vague title seems to become clearer as the narrator repeatedly ponders calling off their relationship. While this revelation may not have arrived at the best of times, it's quickly apparent that a failed relationship is the least of her problems. When the couple arrives at their destination, Jake's parents are awkward, and the evening goes from strange to unsettling as the narrator explores the setting of Jake's childhood. When the pair drive home, the weather takes a turn for the worse. Jake turns off the highway and parks by an empty high school. He goes inside, leaving the narrator alone and frightened. When she enters the building, her vague sense of foreboding turns into outright terror. Interspersed throughout are snatches of conversation about some unknown act of violence that only heightens the feeling of unease. VERDICT This slim first novel packs a big psychological punch with a twisty story line and an ending that will leave readers breathless. [See Prepub Alert, 11/30/15; previewed in Erica Neubauer's 2016 Mystery Preview "Edge-of-Your-Seat Thrills," LJ 4/15/16.]—Portia Kapraun, Delphi P.L., IN[Page 70]. (c) Copyright 2016 Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
PW Reviews 2016 April #2
Nonfiction author Reid (The Truth About Luck) fuses suspense with philosophy, psychology, and horror in his unsettling first novel set in an unspecified locale. When Jake takes his unnamed new girlfriend to meet his parents, he doesn't realize she's thinking of "ending things" (just what she might end is at first unclear). Dinner at the family farm proves awkward, reinforcing her doubts about their relationship. On their way home, the weather turns nasty and Jake pulls off the road at a darkened high school. He takes the keys and exits the car, but never returns, leaving his girlfriend little choice but to strike out after him. While the events preceding the couple's separation have the air of a disquieting dream, those that follow are the stuff of nightmares. Stream-of-consciousness narration by Jake's girlfriend adds to the story's surreal quality, and occasional blocks of unattributed dialogue about an unspecified tragedy impart dread. Capped with an ending that will shock and chill, this twisty tale invites multiple readings. Agent: Samantha Haywood, Transatlantic. (June)[Page ]. Copyright 2016 PWxyz LLC